PDF Ebook Voice and the Actor

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Voice and the Actor

PDF Ebook Voice and the Actor

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From the Back Cover

"Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instinct have been crippled from birth by many processes – by the conditioning, in fact, of a warped society. So, an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way-there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of the whole: an expression of inner life.... After a voice session with her I have known actors speak not of the voice but of growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. —from Peter Brook's foreword to Voice and the Actor Cover design by Richard Rossiter

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About the Author

Cicely Frances Berry CBE was a British theatre director and vocal coach. Berry trained under Elsie Fogerty at the Central School of Speech and Drama, then based at the Royal Albert Hall, London. Peter Stephen Paul Brook, CH, CBE is an English theatre and film director who has been based in France since the early 1970s. He has won multiple Tony and Emmy Awards, a Laurence Olivier Award, the Praemium Imperiale, and the Prix Italia. He has been called "our greatest living theatre director".

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Product details

Paperback: 160 pages

Publisher: Wiley; 1 edition (July 30, 1991)

Language: English

ISBN-10: 0020415559

ISBN-13: 978-0020415558

Product Dimensions:

5.4 x 0.4 x 8.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#109,271 in Books (See Top 100 in Books)

This book is remarkable for its discussion of technique, its selection of sample texts ranging from Herrick to Shakespeare to Sitwell, and its canny sense of what makes an authentic performance. There is also a sense of how an actors can develop limiting habits and how these habits can be overcome. In sum, every bit of vocal advice is tied to expressing a thought or emotion, and few read texts with more insight than Cicely Berry.I am a theater goer rather than an professional, yet this book helped me understand the theater better and overcome some personal voice issues. If there is a slight caution with this book, it would be to say that the vowels are approached from a British standpoint.

Only needed it for a class but I did learn a lot. Good exercises.

A crucial set of observations on the subject, with practical exercises, appreciation for language, focus on the subject. Read it.

Needed this book for class. I personally wouldn't reccomend for a reading pastime. I felt like the book is ment to be taught in a class with a teacher.

Wonderful book not just for actors, but anyone who's job or life involves public speaking. Lots and lots of drills and information for improving speech patterns and enunciation.

Great book for anyone wanting to speak with story and power. Must have theatre students.

The book arrived quickly and was the right book for my class. Thank you.

Great thanks

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Voice and the Actor PDF

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Voice and the Actor PDF

Voice and the Actor PDF